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从本土化到多元化:侗戏题材发展及现代启示 作者:龙昭宝 吴冬梅

关 键 词 :侗戏;题材发展;本土化;多元化;现代启示学科分类:民族学与文化学--民族和文化学其他学科

摘要/Abstract

侗戏从一种民间文学跃升为国家级非物质文化遗产代表性项目名录,原因之一在于题材的发展。从历时性来看,侗戏题材经历了从本土化到多元化的发展历程,不同阶段有着相应的文化环境、主要路径以及内在动力因素。侗戏题材发展的现代启示是:民族戏剧的发展须与时代相适应,汉族题材的植入应有价值契合点,传统经典题材要创造性转化。


Dong opera has been elevated from a form of folk literature to a national-level representative item on the list of intangible cultural heritage, one of the reasons being the development of its subject matter. From a diachronic perspective, the subject matter of Dong opera has undergone a development process from localization to diversification, with corresponding cultural environments, main paths, and internal driving factors at different stages. The modern enlightenment of the development of Dong opera's subject matter is: the development of ethnic drama must be adapted to the times, the integration of Han Chinese subject matter should have points of value convergence, and traditional classic subject matter needs to be creatively transformed.


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论文刊载证明

从本土化到多元化:侗戏题材发展及现代启示 于 2024-12-06 在中国高校人文社会科学信息网(互联网出版许可证:(总)网出证(京)字第052号)刊载,对外公开发表。论文作者为:龙昭宝 吴冬梅。特此证明。

  

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中国高校人文社会科学信息网

2024-12-06