在博大精深的中国传统文化中，茶文化无容置疑占有很高的地位，而宋代则为茶文化最为蓬勃发展的时期之一。宋代绘画素材丰富，画家大多喜爱描绘大自然的山川树林以及各阶层的现实生活，而茶事活动恰恰贯穿于自然与现实之中，成了宋代画家作画必不可缺的一部分。但目前有关论述宋代茶事绘画的研究较少，不免是一种遗憾。《文会图》《撵茶图》《茗园赌市图》三幅茶画对茶事活动都有细致地描绘，是作画者送给观画者的视觉盛宴，亦为观画者提供了一条接近历史真相的通道，可以说具备“以图证史”的功能。本文将结合“茶画三图”的概况以及《文会图》《撵茶图》《茗园赌市图》三幅图分别描述的不同阶层的茶事活动，探索宋代上自天子、下至文人士大夫及市井民众与茶的密切关系以及宋人的审美意趣，助力学界对宋代茶文化领域方面的研究。

In the vast and profound Chinese traditional culture, tea culture undoubtedly occupies a very high position, and the Song Dynasty was one of the most flourishing periods for tea culture. The Song dynasty was rich in painting materials, and most painters loved to depict nature's mountains and woods as well as the reality of life in all walks of life, and tea events were precisely a part of nature and reality, and became an essential part of painting in the Song dynasty. However, there is less research on tea painting in the Song Dynasty, which is a pity. The three tea paintings, The painting " Scholars Banquet", The painting of expelling tea and Gambling Market Map in the Ming Garden, all depict tea activities in detail, and are a visual feast for the viewer, and also provide a channel for the viewer to approach the historical truth, which can be said to have the function of "proving history with pictures". This paper will explore the close relationship between tea and the Song dynasty, from the emperor to the literati and the people of the city, as well as the aesthetic interests of the Song people, in the context of the "three pictures of tea painting" and the tea activities of different classes depicted in the three pictures of  The Painting " Scholars Banquet", The Painting of Expelling Tea  and Gambling Market Map in the Ming Garden, and will contribute to the study of tea culture in the Song dynasty. It is also a contribution to the study of tea culture in the Song Dynasty.