史学家黄仁宇所写的历史章回小说《汴京残梦》，以《清明上河图》为主要线索，围绕《清明上河图》的创作历程、内容及命运，借主人公画学谕徐承茵的视角，描绘了都城汴京的繁华风情以及北宋末宣和、靖康年间的风云变幻，并以述写徐承茵与宋徽宗之女柔福帝姬的悲欢离合为辅，重现了靖康之难。《汴京残梦》以历史介入小说叙事，在动荡飘摇中的国事、个人命运、爱情姻缘，书中每个人的结局似乎都应验了“残梦”二字，作者通过独特的艺术匠心，将离合之情与兴亡之感融为一体，描绘出一幅繁华广阔却又跌宕起伏的历史画卷。

The historical chapter novel "The Remaining Dreams of Bianjing" written by historian Huang Renyu takes the "Riverside Scene at Qingming Festival" as the main clue, revolves around the creative process, content, and fate of the "Riverside Scene at Qingming Festival", and uses the perspective of the protagonist Xu Chengyin's painting studies to depict the bustling customs of the capital Bianjing, as well as the ups and downs during the Xuanhe and Jingkang periods of the late Northern Song Dynasty. It is supplemented by the depiction of the joys and sorrows of Xu Chengyin and the daughter of Emperor Huizong of Song, Emperor Ruofu Ji, Reproduced the difficulty of Jingkang. The novel "the Remaining Dreams of Bianjing" involves history in the narrative of the novel. In the turbulent state affairs, personal fate, and love and marriage relationships, the ending of each person in the book seems to have fulfilled the word "Remnant Dream". Through unique artistic craftsmanship, the author integrates the feeling of separation and separation with the feeling of rise and fall, depicting a prosperous and vast yet tumultuous historical picture.