福克纳的小说《烧马棚》是李沧东《燃烧》的的重要组成部分，但是却一直被分析者忽视，因此本文将主要围绕电影和小说中的燃烧这一意象，对燃烧发生的背景及其过程和属性做详细的分析，并显示福克纳小说元素在电影中的持续在场。在此基础上将分析福克纳和村上春树如何和李沧东的电影发生互文关系，并且组成一个超越李沧东电影的超文本空间，并解释出李沧东所营造的超文本空间在数字时代对于文学艺术创作的重要意义。

Faulkner’s novel "Burning Horse" is an important part of Lee Chang-dong’s "Burning", but it has been often ignored by analysts. Therefore, this article will mainly focus on the image of burning in movies and novels, the background, process and attributes of burning are analyzed in detail, and it shows the continuous presence of Faulkner's novel elements in the film. On this basis, it will analyze how Faulkner and Haruki Murakami have an intertextual relationship with Lee Chang-dong’s films, and form an interactive hypertext space beyond Lee Chang-dong’s films, and explain the important significance of hypertext space created by Lee Chang-dong to the literary and artistic creation in the digital age.