摘要/Abstract

清代新疆流行过的琴曲、弹词、古彩戏法、皮影戏、拉洋片、河南扁担戏、口技等表演艺术未见于《中国曲艺志•新疆卷》和《中国戏曲志•新疆卷》。由于缺少文献记载，这些艺术品种在新疆的发展历程并不具备深入研究的价值，但却对窥视内地文化向新疆的传播路径、民间艺术在新疆的生存和发展等问题有重要启示作用。清代新疆艺术文化的发展与内地保持着高度一致，不同阶层、不同时段的移民都会为新疆带来相应的艺术品种。然而某种艺术能否在新疆获得长时间的生存和传承，则不仅依靠自身的艺术魅力，还需经过新疆人民的文化选择。

The performing arts such as Guqin, Tanci, Ancient Chinese Magic, Shadow Puppetry, Layangpian, Henan Biandanxi, ventriloquism that were popular in Xinjiang in the Qing Dynasty have not been seen in The ' Zhong Guo Qu Yi Zhi ' and The ' Zhong Guo Xi Qu Zhi '. Due to the lack of documentation, the development of these art varieties in Xinjiang does not have the value of in-depth research, but it has important enlightenment for peeking into the propagation path of the central plains culture to Xinjiang, and the survival and development of folk art in Xinjiang. The development of Xinjiang's art and culture in the Qing Dynasty was highly consistent with that of the central plains. Immigrants from different stratum and different periods of time brought corresponding art varieties to Xinjiang. However, whether a art can survive and inherit for a long time in Xinjiang depends not only on its own artistic charm, but also on the cultural choices of the Xinjiang people.