摘要/Abstract

《邯郸记》作为汤显祖“临川四梦”的最后一块拼图，以“梦”入手，对古代封建社会、封建礼教、封建官僚体制作了深刻的批判。从宏观的叙事结构来看，《邯郸记》以仙家起，以仙家结；以入梦起，以梦醒结；从虚妄而生，最终归于虚妄。从梦境的内部故事情节来看，卢生的权力晋升之路是在生与死、得与失的循环中螺旋式的上升的。除此之外，汤显祖也借卢生的黄粱一梦表达了“不盈”、“复归婴儿”等循环论的观点。

The HanDan Dream, as the last piece of Tang Xianzu's 'four dreams of Linchuan', starts with 'dreams' and makes a profound criticism on the feudal society, feudal ethics and feudal bureaucracy. From the perspective of macroscopic narrative structure, The HanDan Dream starts and ends with the fairy.The Story was born from vanity and returned to vanity. From the internal plot of the dream, it can be seen that Lu Sheng's promotion is spiraling upward in the cycle of life and death, gain and loss. In addition, Tang Xianzu also expressed the viewpoint of 'ying', 'Xu'and 'returning to the baby' through The HanDan Dream.