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从屈原戏《化人游》中看丁耀亢的避世思想 作者:刘晓涵

关 键 词 :化人游;避世思想;神仙道教;屈原学科分类:

摘要/Abstract
丁耀亢为明末清初的重要戏曲家,他多次参加乡试均落榜又亲身参与了抗清斗争,命运的多舛使其产生了避世思想,其作品多受老庄、佛道和屈原的影响。《化人游》中丁耀亢以何皋自况,通过荒诞的剧情影射了其在乱世之中内心的彷徨,和对于得道成仙的渴望。其中何皋与屈原共赋《离骚》、《九章》,表达了作者对屈原忠君爱国品质的赞美。本文将围绕其避世思想从具体人物的设置、剧中“屈原”的价值、道教术语的作用和情节排布的意义这四个方面展开论述。
Ding Yaokang was an important dramatist in the late Ming and early Qing Dynasties. He failed in many local examinations and participated in the struggle against the Qing Dynasty. His misfortune made him avoid the world. His works were mostly influenced by Taoism, Buddhism and Taoism, and Quyuan. Why does Ding Yaokang feel so sad in Huaren You? Through absurd plots, he reflects his inner hesitation in troubled times and his desire for Tao to become immortal. Among them, He Gao and Quyuan wrote Lisao and Nine Chapters together to express the author's praise for the patriotic quality of the loyal monarch of Quyuan. This article will focus on the four aspects of his escape thought: the setting of specific characters, the value of Quyuan in the play, the role of Taoist terms and the significance of plot arrangement.
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论文刊载证明

从屈原戏《化人游》中看丁耀亢的避世思想 于 2019-04-13 在中国高校人文社会科学信息网(互联网出版许可证:(总)网出证(京)字第052号)刊载,对外公开发表。论文作者为:刘晓涵 。特此证明。

  

刊载地址:https://www.sinoss.net/c/2019-04-13/556294.shtml

中国人民大学出版社

中国高校人文社会科学信息网

2019-04-13