摘要/Abstract

佛教“空”、“苦”观使性格较为懦弱、心灵较为敏感的李煜在物是人非目前痛苦尤甚，不少作品带有“亦空亦幻”的感受和“悼悲念恨”的泣诉。佛教“空”观，这以人类生存面貌与情怀为基础的教义精神不仅成为作者书写自身哀愁的文化背景与支撑，还让文本渗透了人类关怀的普世性。因李煜对佛教之“苦”观有丰富的认识，致使其诗词充满悼悲念恨的泣诉的同时，直给人以“苦海无边”的心灵触觉。佛教之“空”、“苦”观是李煜若干作品一洗花间习气的重要原因。佛教文化的濡染、渗透，一方面使李煜习惯以“空”、“苦”观体察世事。另一方面，为成就、扩展李

Buddhist concept of “empty”and “bitter” character relatively weak and sensitive heart li yu in paradiso pain especially at present, many “is also empty” works with the feelings and QiSu sites “grief read hate”. Buddhist concept of “empty”, which is based on human survival outlook and feelings of doctrine of the spirit is not only become the author to write their own cultural background and the support of sorrow, also let the text infiltrated the universality of human care. Due to li yu's rich understanding of the “bitter”view of Buddhism, his poems are filled with the sobs of mourning and sorrow, while giving people the sense of “boundless suffering”. The “empty” and “bitter”view of Buddhism is one of the important reasons for li yu's works. The culture of Buddhism is permeated and permeated. On the one hand, li yu is accustomed to observing the world through “emptiness” and “suffering”. On the other hand, the depth and the range of the theme of li yu's poems are not ignored.