摘要/Abstract

《黄金时代》是一部实验性的小众电影。它并不试图讲述一个逻辑严密、跌宕起伏的故事，相反，它的叙事呈现出碎片化倾向，这体现出创作者对历史真实的独特认识。影片中人物直接面对镜头说话的做法，在起到间离效果的同时，也将观众置于必须和人物对话的境地，从而将观众带入影片之中。文章从影片多种叙事手法入手，分析《黄金时代》在创作创新方面的得失。

“The Golden Era” is an experimental niche movie. It does not try to tell a story with tight logic and ups and downs. On the contrary, its narrative tends to be fragmented, which reflects the creators' unique understanding of historical reality. The fact that the characters in the film directly face the camera speaks away from the effect and also puts the audience in a position where they must talk with the characters, thus bringing the audience into the film. The article starts with the various narrative techniques of the film and analyzes the successes and failures of Golden Age in creative creation.