摘要/Abstract

本文以我国传统染整工艺为切入点，结合日本民艺大师柳宗悦的民艺理念来说明非物质文化遗产保护的必要性。非物质文化遗产不应“博物馆化”，传承与发展才是最重要的。而如何传承与发展，需要整个社会清醒的认识与支持。

Combined with the concept of Yanagi Muneyoshi about folk art, I discuss the importance of the protection of Chinese intangible cultural heritage, taking Chinese dyeing process as a start. The Chinese intangible cultural heritage should be developed, instead of ossified protection, which requires a clear understanding and support of the whole society.