摘要/Abstract

自1931年以来的九一八事变至今，提及日本人的形象，尤其是日本军人形象，多数中国人首先联想到的是凶暴残忍的侵略者形象。可以说以抗战为题材的电影等文艺作品中的日本人形象构建，很大程度上导致了中国人惯于将现实中的日本人与刻板化的“日本鬼子“形象等同起来看待。本文运用比较文学意义上的形象学方法论，以抗日战争爆发至文革结束期间的“抗战电影”作品群为研究对象，从电影制作当下的历史政治背景以及形塑者主观要素出发，探讨了日本人形象构建的影像时空和生成归因。具体分为两个时期探讨了二十世纪三十年代到建国前的时期内“恶魔”的

From the Manchurian Incident to the present, when referring to the impression of Japanese in China, Chinese peoples usually think of Japanese as brutal devils or foolish and vulnerable crown-like as shown in the movies of the War of Resistance against Japan. It could be probable that image media including mostly movies has taken an important role in the formation of the kind of impression in China. This paper is a tentative study on the tentative study on the developments, characteristics and rules of Japanese images in Anti-Japanese War Films before the end of Cultural Revolution from the perspectives of the Imagology of Comparative Literature.Specifically, two period were involved to introduce the evil shape of Japanese: one is from the Manchurian Incident to the founding of P.R.China,describing a devil image of Japanese, and another is from the foundation to the end of the Cultural Revolution, describing clown image of Japanese. It holds that,as social imaginations about Japan, Japanese images in Chinese movies reflect the intricate feelings and attitudes of Chinese masses to Japan.