摘要/Abstract

佛教自传入中国以来，经历了吸收本土文化而改头换面的选择,学界把佛教不断调节自身以适应社会像的变化过程称为佛教的世俗化。在世俗化这一过程中，佛教不仅在经典教义、价值观念、行为规范、宗教活动、观念心理、精神信仰等多方面发生直观的变化，还体现在了一种宗教绘画——水陆画中。水陆画以艺术化的手法诠释宗教教义和宗教经典，因此，佛教的世俗化自然而然能够透过这一宗教载体的间接变化而传达出来。目前，学界关于佛教世俗化的直接表现研究很多，但是作为佛教载体的水陆画对这一过程的传达却少有涉及，本文便是从这一角度切入，对水陆画与佛

Since the Buddhism was introduced into China, it experienced absorb native culture and the choice of the new, profession named the process which Buddhism continuously adjust itself to adapt to the change of the society as the secularization of Buddhism. In the process, the secularization of Buddhism is not only changes in many aspects like the classic doctrine, values, norms, religious activities, psychological and spiritual beliefs visual but also reflected in religious paintings named land and water paintings. The paintings explain religious doctrine and religious classic in artistic technique, as a result, the secularization of Buddhism was send out through the indirectly change of the religious carrier. At present there are many research of direct expression about Buddhism secularization, but there is no mention about how the painting to convey this. So this article is from this angle to research the surface interaction between the panting and Buddhism secularization.