摘要/Abstract

近几年，在中国综艺节目圈里刮起了“引进”风，各电视台花巨资买版权复制国外高收视综艺节目，成功的案例已数不胜数。从《中国好声音》，《舞林大会》，《中国星跳跃》到近期引起热议的《爸爸去哪儿》和《两天一夜》。不难看出，综艺节目的制作模式在不断创新，不断随着观众的需求和社会的发展而改变。本篇文章以《爸爸去哪儿》，《两天一夜》为例，从节目制作模式变更，节目参与者的特殊性，节目定位几方面浅析了当前在中国电视屏幕新兴起来的野外明星纪实真人秀节目走红的原因。

In recent years, the trend of “introduction” has prevailed in the circle of Chinese variety show.Television stations spend huge amounts of money to buy copyrights from foreign countries to copy those TV variety show of high television ratings, and the successful cases are countless. From The Voice of China and Chinese Star Jump to Dad, Where are we Going and Happy Sunday, which are hot discussed recently. It is not difficult to find out that the mode productions of variety show have been innovated and changed in order to meet the needs of the audiences and the development of the society. Based on the case study of the two programs ——Dad, Where are we Going and Happy Sunday, and from the perspectives of the changing of program making schemata, the particularity of the program participants and the program orientations, this thesis aims to analyze the reasons that why shoes emerging filed documentary reality shows anticipated by stars on a Chinese TV screen get huge success.