摘要/Abstract

半个多世纪以来，围绕太宰治及其作品的研究热潮从未减退，而其中的《斜阳》可谓是最热研究之作。与此相对的是，《女学生》却少有人问津，可谓是冷门研究之作。太宰在《女学生》中确立了女性用第一人称方式进行独白的文体，二战后的《斜阳》、《皮肤与心》等女性独白体文章的原点在此已有所体现。而仔细研读太宰治的作品不难发现“kawaii”一词在太宰笔下并不少见。故太宰文学中充斥着怎样的“kawaii”以及太宰文学与“kawaii”之间有何关联，为什么会有这些关联，对于这些问题的解答是本论文的目的之所在。

For about half a century, a research upsurge about Dazaiosamu and his works has emerged, with syayo as the most popular one. While strangely enough, studies on jyoseito were rare. In this work, Dazai set up his literary style of female monologue, in the first person point of view. After the World War II, syayo and hihutokokoro were successively accomplished.By reading up his work, it is not hard for us to notice the recurrence of the word ”Kawaii”. So the purpose of this essay is to solve the problem about what kind of kawaii represented in the Dazai Culture, as well as how and why there are these associations between Dazai Culture and Kawaii.