摘要/Abstract

晚唐著名诗人张乔，其诗歌艺术特色集中于以下四个主要方面：一、诗法多家，不拘一格；二、“谁怜合负清朝力，独把风骚破郑声”；三、雅淡、清畅之中，时见“警耸”之句；四、主攻近体，尤专五律、七绝。从总体上看，张乔诗歌的诗旨取向以及与之相应的诗歌体式另辟了一与前代相异途径——由功利转向淡泊、由外界转向内心、由儒的一元到三教等的多向；诗歌体式亦相应走向纤巧精细。这里面虽然有气势和力度的消弱，但这并不意味着诗歌本身的衰竭，它只是朝另外方向发展了。这种发展是一种新局面的创新，是中国美学新的审美范畴的发展。

Zhang Qiao is a famous poet lived in Tang Dynasty. The main poetic features of his poetry are as follow: being Varied in style; Keeping the traditional style; Elegant, pure expression; Mainly writing “modern style”poetry, Especially good at classical poem with four five-character lines and classical poem with four eight-character lines. In general, Zhang Qiao’s poems change from stoicism to utilitarianism, from outside to inside, from only Confucianism to Confucianism, Buddhism and Taoism etc, and correspondingly his poetry style changes to be the style of “modern style”poetry. Although these changes leaves readers the impression of weakness in poetic momentum and power, but this does not mean that poetry itself is weak; conversely these changes mean that Tang poetry get into a new stage of development. This development is a kind of new situation and a innovation of aesthetics for Tang poetry.